How to Commission a Custom Metal Sculpture
Written by Corey Ellis Art Team · 8 min read · Last Updated May 29, 2026
Written by Corey Ellis Art Team · 8 min read · Last Updated May 29, 2026
Commissioning a sculpture sounds intimidating until you have done it once. After that, it is mostly a conversation.
This guide walks through the actual workflow Corey uses with collectors, interior designers, and hospitality buyers. The goal is simple: make the first message you send a useful one.
Commissions exist for the moment a space asks for something that does not yet exist. If a piece you have already seen would work, buy that piece.
If your wall is an unusual size, your brand needs something specific, or you want a sculpture nobody else owns, that is the commission lane.
A useful gut check: would a stock sculpture from the available work archive solve the problem? If yes, skip the commission. If the answer is "almost, but not quite," a commission is probably the right call.
A useful first message includes:
A budget range is not required, but sharing one lets the artist design within real constraints instead of guessing.
If you are not sure what is reasonable, say so. Corey will walk through what scale and material your range supports.
Corey does not lead with full renders. Welded sculpture is a material conversation. Scale, finish, mounting, and surface direction are agreed in writing before any commitment.
That written alignment is what protects both sides during the build. Renders feel reassuring, but a render of welded copper is fiction until it exists in steel.
Expect a back and forth that resolves into a short written brief: scale, primary material, finish approach, mounting method, freight method, and a project price. Once the brief is signed and a deposit is in, the build begins.
Pricing moves with six factors:
There is no menu. A small wall piece, a freestanding sculpture for a foyer, and a two-story lobby commission live in completely different price ranges.
Specific numbers are quoted after the brief is reviewed. If a number is needed before the brief, share a budget range, and Corey will tell you honestly whether the project fits.
Care is straightforward. Metal sculpture is durable. Corey shares finish-specific care notes with each piece.
Copper patinas continue to age, blackened steel can be wiped with a soft cloth, and polished stainless takes the occasional fingerprint. If a hospitality install needs periodic touch-up after years of public use, that can be arranged directly with the studio.
If your project is a hotel lobby, restaurant feature wall, corporate entry, or any large-scale public install, start with the commercial spaces page. The brief is the same, but the calendar, freight, and procurement workflow are different.
Pricing is line-itemed so it can route through FF&E approval. For oversized walls, the large-scale wall sculpture page covers mounting and freight in more detail.
The contact page walks through exactly what to include. You can also browse the gallery or see what is currently available to ship now.
If a piece in the available work archive is right for your space, that is the fastest path. Skip the commission and buy the piece. If not, send the wall and a photo and Corey will reply.
Share dimensions, space, and any imagery that inspires the project. Corey reviews every inquiry personally.